all the small things – cinematography in Sankarea

Strange, wondrous things are possible with fiction. Aliens come and invade the Earth, but eventually succumb to human disease. A secondary moon appears in the sky and breaks a female assassin’s perception of reality. An old countryman deludes himself with fiction itself into thinking he’s a knight and even acts like one. The begotten prince of tyranny liberates his country and world from strife with the help of bipedal mobile armor suits that shoot colourful lasers and make things go boom, helped by a team of women and men whose hair colours span the visible spectrum. We’ve only scratched the surface of what’s possible. And that’s what we want.

So forgive me for saying that Sankarea’s concept (finally getting to my point here) isn’t anything extraordinary. It’s not as nonsensical as Tsuritama, nor is it as down-to-earth as Sakamichi no Apollon. It’s a story of a girl turned zombie. In fact, in light of all the currently circulating stories about undead beings, the premise comes off as rather ordinary. Yet, it’s one of my favourite shows this season. Why? To be straightforward, I like what I see.

WARNING: this post is ridiculously long and image-heavy.

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Auxiliary Blog

I’ve made a secondary blog at http://purplecircleturtle.wordpress.com/. I’ve made this blog mainly to write my thoughts on certain aspects of fiction itself. While this blog will be concentrated on anime-esque topics (like visual novels, manga, anime, etc), in the other blog I’ll be discussing fiction in general. Please stop by and subscribe if you’re interested in it. And yes, this does mean I’ll be posting again. Just let me catch up on every show, and I look forward to writing.

Penguindrum 5: Doom and Grounding

sibling_kids

 

To be honest, I didn’t have all that much to say about Pengidrum last week. Sure, there were things to say, but I didn’t feel any urgent need to express them, so I ended up not making a post. However, I’m pleased to say that with the fifth episode of Pengidrum, I have found quite a bit to say. I absolutely love how much Ikuhara is able to pack into a single episode.

Aren't they adorable?

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Plot Design and Mawaru Penguindrum 3

Today, I’m not going to talk about the third episode specifically, but instead talk about the last three episodes of the show. The third episode was largely that of dramatic exposition and character development. Naturally, there’s a lot to be talked about in that, as well, such as the Takakura family photo flipped over by Kanba when Ringo chose to come over, the diary and Ringo’s role in the grand scheme of destiny, and FABULOUS MAX. Not to mention the blatant Utena references (the cow costume and Nanami, anyone?) that showed up in this episode. Ikuhara continues to pile on the mysteries.

Geppu

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Mawaru Penguindrum 2: Perspectives

I have to apologize for how late this is, as it’s a combination of both how long it took me to move all my stuff to my new apartment (well, really, my friend’s, since I’m moving out of the state next month) and a large-scale movie binge with my friends. I was thinking of releasing this article as a combination between episodes 2 and 3, but that ruins the fun of episode-by-episode discussion, and I already had half this written up by the day of this episode airing, so I figured that I might as well.

I think it goes without saying that PengiDrum is one of the most talked about shows of the 2011 summer anime season. I’m sure I’m missing a lot of bloggers’ insight on the show, as well as forum discussion as I’m rather limited in my scope for forums, but it seems that way.

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Mawaru Penguindrum 1: A Look into Ikuhara and Symbolism

It should come as no surprise to anyone who knows me that Mawaru Penguindrum has long been my most anticipated show of the 2011 Summer anime season. This is because the director behind Pengi, Kunihiko Ikuhara, is none other than the director for Revolutionary Girl Utena, one of my favourite shows of all time, and arguably one of the most influential anime to have ever been produced. And now that the first episode of this show has aired, I once again have the opportunity to take the foray into the incredible mind of Ikuhara.

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R.I.P. Kawakami Tomoko

On June 9th, 2011, Kawakami Tomoko left this world due to complications with cancer. As a long-time fan of anime, her death is one that greatly depresses me. Throughout the many shows I have watched in my life, it comes as a shock that, upon research, Kawakami had voiced many major roles that I had no idea she voiced. Amber in Darker Than Black, Shiki in Kara no Kyoukai, and Kaana in Niea Under 7 are a couple of roles to name.

Today, I wish to mention what I believe to be her best voice-acting role to be. This role is none other than Utena Tenjou in Revolutionary Girl Utena. As a great fan of reading into the subtext and exploring visual symbolism in movies, Revolutionary Girl Utena is one of the greatest anime ever produced (and arguably, the best that JC Staff has done). As I remember how much of an intellectual adventure Utena as a character is and a show is, I cannot help but feel sentimental that the voice of one of the most iconic characters in anime has passed away. Rest in peace, Kawakami Tomoko, and may the rose-emblazoned gates of heaven await you.

 

Puella Magi Madoka☆Magica : Review and Criticism

I often hear complaints that the anime industry is failing as a whole- that everything done nowadays is a rehash of previously done work. They decry cliches, generic character designs, everything that they can get their hands on to seem more pessimistic and critical. And to no big surprise, as many anime are in fact shows that are not worth watching, as they are things that have been done before (just look at Infinite Stratos). Modernism has hit the masses of anime fans just now, a century after it began, it seems.

Therefore, it is with my very great pleasure that I can present Puella Magi Madoka☆Magica as an example of why there is still quality in the anime production business. Anime can still be a great storytelling medium, it seems.

MAJOR, MAJOR SPOILERS FOLLOW.

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