Every so often, we come across a truly crafted work. A work in which the myriad aspects of its creation are delicately shaped to meet a purpose, to intertwine with each other in loving caress. The work becomes singular and precious in its own methodology; an aesthetic ideal can be observed in its very craft. Belonging to this sparse group is Sengoku Collection’s 18th episode, both a tragedy and triumph of human solidarity.
Let’s laugh!
A glance at anime since summer of 2011 reveals a world of colour. A myriad of shows, all distinct by various facets of their creation, whether they be art style, synopsis, or even the people behind it. Given this great variety, it’s only natural that we’ve created systems of classification for them, understood as genres. However, often a show fails to fall under a single genre, instead possessing the signs of several. When you take a look at every show, two genres emerge as the most plentiful: romance and comedy. Something strikes us as odd. While the romantic drama or the sci-fi anime may have a continuous plot, it is exceedingly rare to rind a continuous plot in a comedy. Instead, anime comedies tend to be episodic in nature. Why is this?
